If there is a secular equivalent of standing in a great spired Cathedral with marble pillars and streams of mystic light slanting through two-tier Gothic windows, it would be watching children in their little bedrooms fast asleep. Girls especially.

Princess Nell had to reconstruct them, learning the language, which was extremely pithy and made heavy use of parentheses.

Love is the one emotion actors allow themselves to believe.

The world is so dreadfully managed, one hardly knows to whom to complain.

Written By Ronald Firbank

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